Artwork done with acrylic on linen canvas, mounted on a wooden chassis. Portrait in deconstruction, making the invisible visible. The woman's face is fragmented, as if torn, partitioned between colors and black and white. The facies alone is no longer master of the picture, associated with floral elements it mixes with the background, the whole becoming a unit, as the ying and the yang do not work without each other, two facets of this woman are revealed. She then has several faces staring at us.